NYC

VIDEO PREMIERE: “HARAKIRI” BY FUTURIST

Via PANCAKES AND WHISKEY:

We are excited to premiere the new video from Futurist called “Harakiri” today at P&W. The impressive live video was recorded in their former NYC rehearsal space and is off their forthcoming, sophomore album, entitled Omens which is slated for release on 9-27-19. “Harakiri” is a cool psych-rock tune with an addictive bass-line and chattering percussion that puts the listener into a head nodding groove, while the spastic keys and rhythmic guitar sets the mood for the haunting lyrics that are sung with passion and a sense of urgency. For nearly five minutes the band seems to absolutely lock-in on this live take of “Harakiri” and gets us intrigued about the new LP and future live shows.

“Harakiri” is our second live video release from the Cash 4 Gold Sessions, recorded in our subterranean rehearsal space in the Lower East Side last November. This song is another preview from our upcoming, sophomore LP release, Omens – available September 27. You see, our rehearsal space for the past 5 years or so has been in this dim, decrepit basement beneath a pawn shop, hence the name. The rehearsal space itself is actually really nice and enclosed within, built out by our friend and longtime collaborator Nicholas Rahn of the band All Boy/All Girl, but it’s accessed through these rusted iron doors on the street and the rainwater and other various liquids seep down into the basement. It is kind of grungy, with the added charm of exposed electric wiring and leaking carbon monoxide…probably. Anyways, those guys eventually relocated to Philadelphia and we wanted to commemorate our time in this space as Joey (Campanella) and myself are also leaving NYC for our next chapter. We decided to film and record a series of videos of the band performing some of the tunes off of our new record to both promote the new music as well as create a time capsule of the space.

 Harakiri was cowritten by Joey Campanella and Curtis Peel, who fused together two unfinished ideas they both had to create the dark and eerie funk jam that runs second to last on the new record. After nearly a decade since their debut record, the song aligns with the times and represents a newfound edge written into the lyrical and compositional elements of the band’s second release. Peel writes, “Isn’t it funny? They’ll think I got lucky. The blade went in. I’m bleeding out unwritten stories, the bleak allegorical  mess in me. The art of the comeback.”

Futurist premieres “Bad Air, Still Water”

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Via GOOD NIGHT MAGAZINE:

There isn’t much music that I listen to that pulls double duty as far as song quality goes, not to mention being the perfect score for a scene from a movie I will never make. But the latest single “Bad Air, Still Water,” from Brooklyn-based alt/psych band, Futurist, definitely qualifies.

 The new single comes out prior to the release of their new album Omens, and is the equivalent of a delicious appetizer before eating the rest of the four-course meal. It is satisfying yet I am still yearning for another bite. The drums pack a gratifying punch, carrying the momentum of the song while providing the perfect backing for Peel’s singing. His honest, full voice is by far the most vital part of the track. The guitar rings out clearly, occasionally carrying the lead while still giving all of the other elements room to breathe. “Bad Air, Still Water” manages to be both energetic and compelling, while retaining the atmospheric quality that holds the track together. Coming in at over six minutes in length, that is no easy task, yet Futurist manages and delivers it superbly.

Lead singer Curtis Peel shares of the song, “‘Bad Air, Still Water’ was inspired by the weight of it all. ‘Don’t pay any mind to the cynical. They don’t know any better.’ What do we do in those moments where we’ve fallen short of our higher self and are dealing with the disparity between how we thought it would be and what actually happened… and not succumbing completely to nihilism in the process. I think the tune is best summarized through the questions posed in the end of the song. ‘Is there no escape? Am I enslaved to this feeling? I mean am I even helping? Could you just in case, hold me responsible?’ We can’t really escape caring about who we are and the consequences of our actions, so we might as well embrace our autonomy as we move through so much that is out of our control.”  

Having not released an album since 2011’s War is Yesterday I am looking forward to the release of Omens this September, and I can’t wait to listen to the rest of what Futurist has prepared for us.
Lawson Nuland